By Charles D. Presberg
Cervantes’s Don Quixote confronts us with a sequence of enigmas that, over the centuries, have divided even its so much specialist readers: Does the textual content pursue a significant or comedian goal? Does it advertise the reality of historical past and the untruth of fiction, or the reality of poetry and the fictiveness of fact itself? In a booklet that may revise the best way we learn and debate Don Quixote, Charles D. Presberg discusses the trope of paradox as a governing rhetorical approach during this such a lot canonical of Spanish literary texts.
To situate Cervantes’s masterpiece in the centuries-long praxis of paradoxical discourse within the West, Presberg surveys its culture in Classical Antiquity, the center a while, and the ecu Renaissance. He outlines the advance of paradoxy within the Spanish Renaissance, centering on works via Fernando de Rojas, Pero Mexía, and Antonio de Guevara. In his exact analyzing of parts of Don Quixote, Presberg exhibits how Cervantes’s paintings enlarges the culture of paradoxical discourse by way of imitating in addition to remodeling fictional and nonfictional versions. He concludes that Cervantes’s seriocomic "system" of paradoxy together parodies, celebrates, and urges us to consider the organisation of discourse within the endured refashioning of data, background, tradition, and private identity.
This enticing booklet could be welcomed by way of literary students, Hispanisists, historians, and scholars of the heritage of rhetoric and poetics.
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